So you could effectively say we're at v16 now! This replaced the then‑current Meridian hardware, and the rebranding to Media Composer Adrenaline v1 was the equivalent of Meridian v12. In fact, Avid decided to reset the counter when their 'DNA' video‑hardware line was introduced in 2003. By comparison, FCP 7 was seen as a pretty minor update to FCP 6, and we are led to conclude that Avid are seeking to regain the initiative from their biggest rival.įor a product that's 20‑odd years old, v5 may seem relatively late to arrive. Avid have been very busy, and have clearly been stepping up the pace of development. Avid normally go through a large number of intermediate minor releases and updates between major version changes, but v4 only made it to 4.0.5 before being swept aside by v5. It comes hot on the heels of v4, which was released less than a year ago. The new features list is massive, and there are a great number of smaller but no less significant enhancements to existing functions. There's no questioning that Media Composer 5 is a huge release. They need to show the world that Avid is still a force to be reckoned with. It's against this background that Avid have developed Media Composer 5. On the other hand, its detractors see it as old‑fashioned software with a clunky interface, less agile in use than its newer opponents. Media Composer is seen by its fans as the king of NLEs the most complete, professional and reliable product available. In recent times, that position has been challenged, first by Apple's Final Cut Pro (FCP), and now by the resurgence of another long‑standing rival, Adobe's Premiere Pro. Avid are looking to stay on top of the NLE game as they add a whole host of new features and brand-new editing tools to the latest version of their flagship editing software.Īvid are one of the pioneers of computer‑based non‑linear editing, and have held a dominant position in the market for much of the 20 years that Media Composer has been available.
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